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Jun 06, 2017  Feel free to just download and start using the plugin, and I hope you like it. If using Busscolors on the master buss in conjunction with Console, it's generally recommended to put the 2-bus instance of Busscolors AFTER ConsoleBuss. Get INSTANT ACCESS to the world's best private pro audio Classifieds for only USD $20/year. Bus Driver by Nomad Factory (@KVRAudio Product Listing): Bus Driver is an optical compressor that provides a wide range of compression effects, reminiscent of the best vintage compressors made in the '60s. Compression is one of those studio processes that is all too often taken for granted and not usually used to its full potential. Today's producers think nothing of inserting compressors on. I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds. Below is our list of the best compressor VST plugins that you can download for free. It features a circuit-modeled design based on a model of a vintage console bus compressor, but the plugin doesn’t color the sound too much. DCAM FreeComp can work equally well on individual tracks and stereo buses. Buss color vst download.

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Playback of wavetables requires digital resampling to play different frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound).